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Thursday, January 31, 2019

Story-telling in Amy Tans The Joy Luck Club and Mother Journeys :: comparison compare contrast essays

Story-telling in The Joy Luck Club and bring Journeys Beginning with Gussie, Maxine Kumins short story from the anthology Mother Journeys, has a commutation government issue similar to that in Amy Tans The Joy Luck Club the need for transference of stories from mother to daughter. These two works have quite a fewer similarities, despite the fact that they atomic number 18 tales about very different pagan traditions. Is the cultural difference important? Or do these works invent a universal truth about story-telling between mothers and daughters? First of all, what argon some of the similarities and differences between these works? Like Jing-mei Woo, Rebecca does not learn the large story of her mothers past until her mother has died. The past of both(prenominal) mothers involves children born in front the daughter to whom the story is told these earlier children were left behind because of the circumstances in which the mother found herself at that time. In both these i nstances, the stories are told by others who wish the daughter to understand the mother more fully both stories memorisem to give the daughter a better understanding of herself as well as of her mother. Story-telling may be even more central in The Joy Luck Club, with the stories told as lessons throughout the daughters young lives. further Beginning with Gussie also demonstrates that the daughters know about their mothers past experiences Tweedie knows the story of the solicit between her mother and father Rebecca knows her parents story though she doesnt learn the whole of her mothers story until her mothers death. Another similarity is that Gussies reason for telling her story to her granddaughter Tweedie is like to the reason Ying-Ying decides she must tell her story to her daughter Lena both are concerned about the choices being made by the daughter/granddaughter, choices that they see as too similar to their own past mistakes. Gussie ends her story to granddaughter wi th And thus, Tweedie, plot of land I discountnot applaud your reliving my history, I am deeply quick to think that my genes are being handed on. Modified, broadened, no doubt amend upon. (Mother 274, in Mother Journeys) Ying-Ying thinks to herself, as she determines to tell the story of her past to Lena, How can I leave this world without leaving her my spirit? So this is what I will do. .

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