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nineteenth Century Romanticism in Europe-Books related to nineteenth Century Romanticism in Europe-19th Century Romanticism in Europe- Romanticism began in the early 19th century and radically changed the track people perceived themselves and the state of nature around them. Unlike classicalism, which stood for separate and established the set upation for architecture, literature, painting and music, Romanticism allowed people to get past from the constricted, rational feelings of aliveness and concentrate on an emotional and senti manpowertal view of humanity. This not only influenced political doctrines and ideology, provided was also a corking contrast from ideas and harmony featured during the Enlightenment. The Romantic era grew alongside the Enlightenment, but concentrated on human diversity and looking at demeanor in a new way. It was the combination of modern Science and Classicism that gave birth to Romanticism and introduced a new outlook on life that embraced em otion before rationality. Romanticism was a reactionary period of write up when its seeds became planted in poetry, artwork and literature. The Romantics turned to the poet before the scientist to harbor their convictions (they found that the orderly, mechanistic universe that the Science thrived under was too narrow-minded, systematic and right-down heartless in terms of feeling or emotional thought) and it was men such as Johann Wolfgang von Goethe in Germany who wrote "The Sorrows of Young Werther" which epitomized what Romanticism stood for. His character expressed feelings from the heart and gave way to a new trend of expressing emotions through identity element as opposed to collectivism. In England, there was a resurgence into Shakespearean drama since many Romantics believed that Shakespeare had not been fully appreciated during the 18th century. His drift of drama and expression had been downplayed and ignored by the Enlightenments narrow classical view of dram a. Friedrich von Schlegel and Samuel Taylorleridge (from Germany and England respectively) were two critics of literature who believed that because of the Enlightenments suppression of individual emotion as macrocosm free and imaginative, Shakespeare who have never written his material in the 19th century as opposed to the 18th century. The perception that the Enlightenment was destroying the pictorial human soul and substituting it with the mechanical, artificial heart was becoming normal across Europe. The Lyrical Ballads, published in 1798, was a series of poems that examined the dish antenna of nature and explored the actions of people in natural settings. Written by William Woodsworth, this spirt of